For two years I've been writing a novel which involves some Greek mythological figures (my agent [still a new enough relationship for it to feel quite unreal] is going to send me final revision notes next week). Naturally I have been avoiding reading new fiction about Greek mythology, because I don't want to inadvertently poach, … Continue reading William Golding, The Double Tongue
Category: Mary Renault
Bryher, Gate to the Sea
Bryher is a pen name. It's taken from one of the Scilly Isles, where the novelist Annie Ellerman once went on holiday and loved it. She was a shipping heiress, and lived in Switzerland with her husband Kenneth Macpherson and her lover Hilda Doolittle (the writer H D). She was a novelist and a patron … Continue reading Bryher, Gate to the Sea
Naomi Mitchison’s The Blood of the Martyrs
This time, in the Really Like This Book podcast scripts catch-up, I’m in Ancient Rome, rereading Naomi Mitchison’s excellent novel about very early Christians in the reign of the Emperor Nero, The Blood of the Martyrs, from 1939. You can probably guess the ending already from the clues in the title, but, trust me: it may be … Continue reading Naomi Mitchison’s The Blood of the Martyrs
Mary Renault and The Praise-Singer
Today’s letter in the Really Like This Book's podcast script catch-up is R, and today’s author is Mary Renault. This twentieth-century British author (publishing from 1939 to 1981) is most famous for her meticulously researched historical novels about classical and ancient Greece. She is an outstanding author. Her novels are easy to slip into, because she tells … Continue reading Mary Renault and The Praise-Singer
You May Well Ask: Naomi Mitchison’s roaring twenties
‘But my baby died’. That’s the last line in Naomi Mitchison’s second volume of memoirs, You May Well Ask. It's a grim cliff-hanger that isn’t, because this happened in 1940 when she was running a small Scottish estate in Carradale, on a dangling arm of land off western Scotland that snuggles up to Arran in the Firth … Continue reading You May Well Ask: Naomi Mitchison’s roaring twenties