This is the penultimate issue of Penguin New Writing, from 1950, and I think John Lehmann is losing his grip (again). He actually opens the art section with two paintings by a woman, Wilhelmina Barns-Graham: this has never happened before. Other notable contributors include Paul Bowles, Cecil Day-Lewis, Kathleen Raine and Tom Hopkinson. Lehmann's 'Foreword' … Continue reading Penguin New Writing 39: woman sighted
Category: William Sansom
Penguin New Writing 36: into 1949
Note for 20th-century linguistics historians: in his introduction to this issue of Penguin New Writing John Lehmann remarks on the number of neologisms that have occurred in the tiny lifetime of the magazine. ‘The last ten years have been an express formative period in the English language, new words, new expressions have become acclimatized in … Continue reading Penguin New Writing 36: into 1949
Penguin New Writing 33: Getting over the war
Some time ago in Penguin New Writing John Lehmann asked for funny stories to print. He also suggested that both women and men would be leaping to their desks at the end of war to write the fiction they’d been bottling up during the war years. None of this is showing in what he’s publishing … Continue reading Penguin New Writing 33: Getting over the war
Penguin New Writing 31, autumn 1947
My feelings about the prevailing mood of the previous issues of Penguin New Writing have been borne out by the Foreword in this issue of autumn 1947, by John Lehmann himself. ‘Your Editor has had a dream. A mad, fantastic dream, not to be credited at all. [there follows a paragraph of escalating impossibilities] That … Continue reading Penguin New Writing 31, autumn 1947
Penguin New Writing 29, autumn 1946
New Writing, John Lehmann’s influential British literary magazine, first appeared in 1936, and fostered politically Left writers and artists. It stopped publication in 1950, with issue 40, just as Tennessee Williams and John Wain (for example) joined the contributors. I found issues 27 to 40 in an Oxfam shop, and bought them for a fiver. … Continue reading Penguin New Writing 29, autumn 1946
Penguin New Writing 27: Spring 1946
New Writing, John Lehmann’s influential British literary magazine, first appeared in 1936, and fostered politically Left writers and artists. It stopped publication in 1950, with issue 40, just as Tennessee Williams and John Wain (for example) joined the contributors. I found issues 27 to 40 in an Oxfam shop, and bought them for a fiver. … Continue reading Penguin New Writing 27: Spring 1946