In which I agree with the universal acclaim for two hugely hyped books that show no signs of losing any popularity. Mary Beard, Women & Power Mary Beard is doing very nicely out of her television presenting work because (a) she’s being herself, unaffected and normal, and (b) she’s writing some well-received books about that … Continue reading Believe the hype
The Wife of Sir Isaac Harman was published in 1914, and is the story of Ellen Sawbridge who marries her older suitor Isaac Harman when she is 18. He delays the wedding by a few weeks so that the announcement of his knighthood in the Birthday Honours will appear on their wedding day, making her … Continue reading H G Wells is aggravating again: The Wife of Sir Isaac Harman
Now that I'm no longer applying for jobs in academia, I feel free to say this: I don't like what the Virginia Woolf industry has done to the scholarly study of women writers. I should also say that, while I don't much like her novels, Woolf's essays have influenced me, and I reread them for … Continue reading The Virginia Woolf industry is a problem
This is the penultimate issue of Penguin New Writing, from 1950, and I think John Lehmann is losing his grip (again). He actually opens the art section with two paintings by a woman, Wilhelmina Barns-Graham: this has never happened before. Other notable contributors include Paul Bowles, Cecil Day-Lewis, Kathleen Raine and Tom Hopkinson. Lehmann's 'Foreword' … Continue reading Penguin New Writing 39: woman sighted
This is a memoir by the first female professor in the UK, Edith Morley, Professor of English Language at the University of Reading. It’s an essential read for anyone exploring the history of women’s higher education in Britain, and for those keen on reliving the struggles of women to make headway in a profession that … Continue reading Edith Morley’s Before and After. Reminiscences of a Working Life
Note for 20th-century linguistics historians: in his introduction to this issue of Penguin New Writing John Lehmann remarks on the number of neologisms that have occurred in the tiny lifetime of the magazine. ‘The last ten years have been an express formative period in the English language, new words, new expressions have become acclimatized in … Continue reading Penguin New Writing 36: into 1949
John Lehmann begins this issue by announcing that he’s dropping my favourite part of the magazine, The Living Moment. The reason for what he rightly calls this ‘freakish editorial decision’ is that the articles suitable for this section —commissioned reportage of changing post-war life — are getting scarce. However, despite this annoying beginning, I think … Continue reading Penguin New Writing 35: The sound of idols smashing
