I pounced on this short story collection in a second-hand bookshop in the Lanes in Brighton, silently crying 'Why have I never heard of you before?' (and on typing that I realised that I really must, MUST join the Sylvia Townsend Warner Society, and did so.) I hadn't paid enough attention to STW's short story … Continue reading Sylvia Townsend Warner, The Music at Long Verney
The blurb on the back on the Panther edition promises titillation in rather 1970s Observer fashion: 'Perhaps you'd better find out what those fairies are up to at the bottom of your garden ...', assuming (a) that you have a garden, and (b) supervision of it is something you will be held to account for. … Continue reading Maureen Duffy, The Erotic World of Faery
This excellent book is the missing link (though obviously it hasn’t been missing at all to those who’ve known it for thirty years), between Virginia Woolf’s A Room of One’s Own, and Mary Beard’s Women & Power. Published in 1983, it is a perfect blend of feminist insight and great intellectual clarity, and is a … Continue reading Joanna Russ, How to Suppress Women’s Writing
In which I agree with the universal acclaim for two hugely hyped books that show no signs of losing any popularity. Mary Beard, Women & Power Mary Beard is doing very nicely out of her television presenting work because (a) she’s being herself, unaffected and normal, and (b) she’s writing some well-received books about that … Continue reading Believe the hype
The Wife of Sir Isaac Harman was published in 1914, and is the story of Ellen Sawbridge who marries her older suitor Isaac Harman when she is 18. He delays the wedding by a few weeks so that the announcement of his knighthood in the Birthday Honours will appear on their wedding day, making her … Continue reading H G Wells is aggravating again: The Wife of Sir Isaac Harman
Now that I'm no longer applying for jobs in academia, I feel free to say this: I don't like what the Virginia Woolf industry has done to the scholarly study of women writers. I should also say that, while I don't much like her novels, Woolf's essays have influenced me, and I reread them for … Continue reading The Virginia Woolf industry is a problem
This is the penultimate issue of Penguin New Writing, from 1950, and I think John Lehmann is losing his grip (again). He actually opens the art section with two paintings by a woman, Wilhelmina Barns-Graham: this has never happened before. Other notable contributors include Paul Bowles, Cecil Day-Lewis, Kathleen Raine and Tom Hopkinson. Lehmann's 'Foreword' … Continue reading Penguin New Writing 39: woman sighted
