Once again, I am delighted and impressed by Penelope Lively's effortless skill in winding me into her story. In this case, it really is her story. A House Unlocked is her ruminative ramble through British (and Russian) history, prompted by objects, plants and memories of her grandmother's house in rural Somerset, where Lively spent much … Continue reading Penelope Lively, A House Unlocked
Category: nature
Bea Howe, A Fairy Leapt Upon My Knee
Bea Howe was Sylvia Townsend Warner's oldest friend. They met in the 1920s when Bea was 19 and Sylvia was in her middle twenties, and Sylvia spent her 84th birthday having a nice quiet day with Bea, shortly before Sylvia died in 1978. When they met is important, because Sylvia would soon publish her much … Continue reading Bea Howe, A Fairy Leapt Upon My Knee
Bryher (the writer, not the island)
Annie Winifred Ellerman (1894-1983) was a novelist, a literary patron, an heiress, and the devoted lover of the modernist poet Hilda Doolittle (H D). She took the name Bryher to disassociate herself from femininity, one asumes, borrowing the name from one of her favourite Scilly Isles. She married her close friend Kenneth Macpherson, who was … Continue reading Bryher (the writer, not the island)
Liz Williams, Miracles of Our Own Making: A History of Paganism
Liz Williams is a very well respected science fiction and fantasy author, and (until very recently) the co-proprietor of a witchcraft shop in Glastonbury (the shop may re-open after the pandemic has been brought under control). I have professional delaings with her, in that in February she spoke on a panel on women in sff … Continue reading Liz Williams, Miracles of Our Own Making: A History of Paganism
Laura Knight, Oil Paint and Grease Paint
I went to the Royal Academy's tiny one-room exhibition of Laura Knight a few weeks ago, and was alerted to the fact that she had written a couple of autobiographies, Oil Paint and Grease Paint (1936) and The Magic of a Line (1965). Laura Knight was made a Dame in 1929, and was the first … Continue reading Laura Knight, Oil Paint and Grease Paint
Jan Morris, Hav
Jan Morris is one of the most familiar names in British travel writing, so I was surprised to find a new work by her that I did not know, Last Letters from Hav. The New York Review Books Original edition - Hav - has a stupendous cover image that relates to the sequel, Hav of … Continue reading Jan Morris, Hav
Alice Jolly: Mary Ann Sate, Imbecile
If the sign of a good book is that, while partway through it, you buy your own copy and take the library copy back, wondering whether to slide a post-it note inside urging the next borrower to do the same; and that you are mentally raking through the names of friends and family who would … Continue reading Alice Jolly: Mary Ann Sate, Imbecile
Isabella Tree’s Wilding and Tim Flannery’s Europe
These two books about European natural processes are curiously connected, though I had no suspicion of this when I bought them. I was obviously in the mood for a sustained period of browsing on ancient species ecology and the prospects for reversing the mass extinctions caused by people. Looking for hope in the face of … Continue reading Isabella Tree’s Wilding and Tim Flannery’s Europe
Kathleen Jamie, Surfacing
Kathleen Jamie is a poet, but it's a curious thing: she never speaks about her poetry in her essays. I've read and reread her earlier collections Findings and Sightlines, and I've drenched myself in her new essays in Surfacing now a couple of times, but it's only just occurred to me that if you only come to Jamie … Continue reading Kathleen Jamie, Surfacing
Enjoyed, with caveats
M C Bolitho, A Victorian Lady in the Himalayas, edited by Jean Burnett Jean Burnett is part of Writers Unchained, a collective of writers from Bristol, and has published novels with Little, Brown about the adventures of Lydia Bennett. She has edited the diary of Maria Bolitho, a Victorian Englishwoman who travelled across the Himalayas … Continue reading Enjoyed, with caveats
