David Brin’s The Postman (1985) starts really well. I was very impressed with the central conceit, of a man struggling to survive in a post-apocalyptic survivalist society who starts a myth of a Restored United States to get the people to cohere around the myth and make it real. But it all fell apart through … Continue reading Patriarchal post-apocalyptic retro: David Brin’s The Postman →