This 1958 novel crackles with foreboding. It is based on the apparently artless retelling by a teenage girl of a summer spent in France with her elder sister and their younger siblings. It seethes with barely understood sexuality, and, in the absence of any reliable and responsible adults, the dangers that Joss and her sister … Continue reading Rumer Godden, The Greengage Summer
John Lehmann opens this issue’s Foreword by apologising for the sudden disappearance of the coloured plates. They’d vanished in issue 31, presumably a last-minute or force majeure decision, because in this issue the reasons are discussed. All the good colour printers in Britain are booked up for months at a time, so there is no … Continue reading Penguin New Writing 32: still in 1947
My feelings about the prevailing mood of the previous issues of Penguin New Writing have been borne out by the Foreword in this issue of autumn 1947, by John Lehmann himself. ‘Your Editor has had a dream. A mad, fantastic dream, not to be credited at all. [there follows a paragraph of escalating impossibilities] That … Continue reading Penguin New Writing 31, autumn 1947
This issue of Penguin New Writing, from spring 1947, has a depth that the previous issues reviewed don’t seem to have achieved. John Lehmann goes all-out in his Foreword by saying that the fires that decimated London’s publishing offices and warehouses in the bombing in December 1940 did ‘the book-trade — and the authors who … Continue reading Penguin New Writing 30
New Writing, John Lehmann’s influential British literary magazine, first appeared in 1936, and fostered politically Left writers and artists. It stopped publication in 1950, with issue 40, just as Tennessee Williams and John Wain (for example) joined the contributors. I found issues 27 to 40 in an Oxfam shop, and bought them for a fiver. … Continue reading Penguin New Writing 29, autumn 1946
